Sketches and Studies — Context and Discussion
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The catalog record for Sketches and Studies — Context and Discussion provides practical reading context through 79,456 words, 5 hr 46 min estimated reading time, and 8 detected text sections.
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HIS PARENTAGE AND EARLY LIFE.
Franklin Pierce was born at Hillsborough, in the State of New Hampshire, on the 23d of November, 1804. His native county, at the period of his birth, covered a much more extensive territory than at present, and might reckon among its children many memorable men, and some illustrious ones. General Stark, the hero of Bennington, Daniel Webster, Levi Woodbury, Jeremiah Smith, the eminent jurist, and governor of the state, General James Miller, General McNeil, Senator Atherton, were natives of old Hillsborough County.
General Benjamin Pierce, the father of Franklin, was one of the earliest settlers in the town of Hillsborough, and contributed as much as any other man to the growth and prosperity of the county. He was born in 1757, at Chelmsford, now Lowell, in Massachusetts. Losing his parents early, he grew up under the care of an uncle, amid such circumstances of simple fare, hard labor, and scanty education, as usually fell to the lot of a New England yeoman’s family some eighty or a hundred years ago. On the 19th of April, 1775, being then less than eighteen years of age, the stripling was at the plough, when tidings reached him of the bloodshed at Lexington and Concord. He immediately loosened the ox chain, left the plough in the furrow, took his uncle’s gun and equipments, and set forth towards the scene of action. From that day, for more than seven years, he never saw his native place. He enlisted in the army, was present at the battle of Bunker Hill, and after serving through the whole Revolutionary War, and fighting his way upward from the lowest grade, returned, at last, a thorough soldier, and commander of a company. He was retained in the army as long as that body of veterans had a united existence; and, being finally disbanded, at West Point, in 1784, was left with no other reward, for nine years of toil and danger, than the nominal amount of his pay in the Continental currency--then so depreciated as to be almost worthless.
In 1780, being employed as agent to explore a tract of wild land, he purchased a lot of fifty acres in what is now the town of Hillsborough. In the spring of the succeeding year, he built himself a log hut, and began the clearing and cultivation of his tract. Another year beheld him married to his first wife, Elizabeth Andrews, who died within a twelvemonth after their union, leaving a daughter, the present widow of General John McNeil. In 1789, he married Anna Kendrick, with whom he lived about half a century, and who bore him eight children, of whom Franklin was the sixth.
Although the Revolutionary soldier had thus betaken himself to the wilderness for a subsistence, his professional merits were not forgotten by those who had witnessed his military career. As early as 1786, he was appointed brigade major of the militia of Hillsborough County, then first organized and formed into a brigade. And it was a still stronger testimonial to his character as a soldier, that, nearly fifteen years afterwards, during the presidency of John Adams, he was offered a high command in the northern division of the army which was proposed to be levied in anticipation of a war with the French republic. Inflexibly democratic in his political faith, however, Major Pierce refused to be implicated in a policy which he could not approve. “No, gentlemen,” said he to the delegates who urged his acceptance of the commission, “poor as I am, and acceptable as would be the position under other circumstances, I would sooner go to yonder mountains, dig me a cave, and live on roast potatoes, than be instrumental in promoting the objects for which that army is to be raised!” This same fidelity to his principles marked every public, as well as private, action of his life.
In his own neighborhood, among those who knew him best he early gained an influence that was never lost nor diminished, but continued to spread wider during the whole of his long life. In 1789, he was elected to the state legislature and retained that position for thirteen successive years, until chosen a member of the council. During the same period he was active in his military duties, as a field officer, and finally general, of the militia of the county; and Miller, McNeil, and others learned of him, in this capacity, the soldier-like discipline which was afterwards displayed on the battle-fields of the northern frontier.
This volume brings together two distinct works: a campaign biography of Franklin Pierce and a set of essays on the Civil War era. The biography, written by Hawthorne for the 1852 presidential election, is framed by the author's own admission of political inexperience. He describes himself as 'so little of a politician that he scarcely feels entitled to call himself a member of any party,' yet he undertakes the task out of personal loyalty to a friend 'dear to him almost from boyish days.' The result is a text that oscillates between political advocacy and personal reminiscence, offering a portrait of Pierce that Hawthorne claims is based on 'opportunities of knowing him well' rather than on partisan ideology.
A Biographer's Cautious Distance
Hawthorne's preface to the Pierce biography is notable for its careful qualifications. He states that the work is 'so far sanctioned by General Pierce, as it comprises a generally correct narrative of the principal events of his life,' but adds that Pierce does not necessarily endorse 'all the sentiments put forth by himself in the progress of the work.' This separation between subject and authorial opinion is unusual for a campaign biography. Hawthorne further distances himself by noting that his 'customary occupations' and 'tastes' are remote from political writing. The biography, he suggests, may have value 'as the narrative of one who knew the individual of whom he treats, at a period of life when character could be read with undoubting accuracy.' This emphasis on early acquaintance rather than political analysis shapes the entire work.
Willard's Hotel as a Microcosm of Wartime Washington
In 'Chiefly About War Matters,' Hawthorne turns from biography to reportage, offering a vivid sketch of Washington's Willard's Hotel during the Civil War. He calls it 'much more justly called the centre of Washington and the Union than either the Capitol, the White House, or the State Department.' The hotel becomes a stage for a 'miscellany of people': governors, generals, office-seekers, inventors, poets, and 'long-winded talkers.' Hawthorne notes the convivial atmosphere, where 'mint-julep, a whiskey-skin, a gin-cocktail, a brandy smash, or a glass of pure Old Rye' are constantly in demand, and cigar smoke forms 'a sympathetic medium' for frank talk. He observes 'antiquated figures and costumes'—elderly men in frilled shirts from half a century earlier—whom he imagines as 'venerable fathers of the country' summoned from their graves by the national crisis. This passage blends social observation with a touch of the fantastical, characteristic of Hawthorne's literary style.
The Catalog's Mismatch with the Contents
The Project Gutenberg record categorizes this volume under 'Science Fiction & Utopias,' a label that bears little relation to the actual contents. The excerpts show no speculative or futuristic elements; instead, they are firmly rooted in mid-19th-century American politics and society. The catalog subjects—'United States -- History -- Civil War, 1861-1865' and 'American literature'—are more accurate, though the Pierce biography predates the war. The secondary topic 'general-literature' is broad enough to encompass Hawthorne's literary essays. Readers expecting science fiction will find instead a campaign biography and war commentary. This discrepancy highlights the challenges of classifying mixed-genre works in digital libraries, where a single subject heading may misrepresent the text's diversity.
Readers approaching this collection should be aware that it is not a unified work but a juxtaposition of two very different modes: the political biography, written under the constraints of a presidential campaign, and the personal essay, free to observe and speculate. Hawthorne's voice—self-deprecating, observant, and occasionally ironic—links both pieces. The volume offers insight into how a major literary figure navigated the partisan demands of his era while maintaining a distinctive perspective on character and crisis.
Sometimes I think of Hawthorne bending his careful prose around Pierce’s politics, and it reminds me of another writer wrestling with belief on the page. There’s a similar quiet ache in The Prose Works of Jonathan Swift, D.D. — Volume 04 Swift's Writings on Religion and the Church — Volume 2 — Story, Setting & Ideas, where the irony thins into something almost tender. Two men, two centuries, same lonely work of making sense aloud.
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