Boswell the Biographer — Themes and Context

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Mallory, George, 1886-1924 Project Gutenberg 2016 Not confirmed
Boswell, James, 1740-1795; Authors, Scottish -- 18th century -- Biography; Biographers -- Great Britain -- Biography Readers of public-domain and historical texts
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Words 87,952
Reading time 383 min
Text sections 22

This digital edition of Boswell the Biographer — Themes and Context is described by source-level measurements including 87,952 words, 6 hr 23 min estimated reading time, and 22 detected text sections.

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George Mallory's 1912 study examines James Boswell's character through his political ambitions, patronage networks, and literary methods, drawing on letters and contemporary accounts rather than offering a full biography.
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This did not prevent his being a terribly proud aristocrat, and great was the contempt he entertained and expressed for his son James, for the nature of his friendships and the character of the personages of whom he was _engoué_ one after another. 'There's nae hope for Jamie, mon,' he said to a friend. 'Jamie is gaen clean gyte.... Whose tail do you think he has pinned himself to now, mon?' Here the old judge summoned up a sneer of most sovereign contempt. 'A _dominie_, mon--an auld dominie; he keeped a schule and cau'd it an acaadamy.'

The Laird, as is evident from the account in the 'Tour to the Hebrides' of Johnson's visit to Boswell's home, held his opinions with that conviction which admits of no discussion. A story of him is related by Scott that when challenged by Johnson to explain the utility of Cromwell's career, he very curtly remarked: 'God, Doctor, he gart kings ken they had a lith[1] in their neck.'

Boswell seems to have summed up the situation at home when he wrote in the _London Magazine_ for 1781:

I knew a father who was a violent Whig and used to attack his son for being a Tory, upbraiding him with being deficient in noble sentiments of liberty, while at the same time he made this son live under his roof in such bondage as he was not only afraid to stir from home without leave like a child, but durst scarcely open his mouth in his father's presence. This was sad living.

The problem of youth is one of selection. Not many of us accept for ourselves the whole of our inheritance. Of the influences of our early years there are some which we reject; and the judgments which we make about the problems that affected us when young, differ as a rule from those about other questions which come upon us only in maturer years. In youth we must either love or hate--there is no indifference; and so in youth very often are formed the prejudices of a lifetime. Thus it was with Boswell. It was inevitable that the inflexible, hard-headed old judge, and the gay, clever son, should agree very ill. The latter contrived to be in many ways the exact antithesis of his father, and he had the courage of his opinions. It is remarkable, when we think of the violence of the old Whig's political views, that in 1745 Boswell 'wore a white cockade and prayed for King James.' The advances of an uncle it is true were able to purchase his political sympathies, and for the sum of one shilling Boswell became a Whig. But it is more decorous, at the age of five, to side with one's father without the persuasion of a silver bribe, especially upon a question of so great importance as the choice of a sovereign. For his tutor, Mr. Dunn, James seems to have retained no startling degree of affection or even of respect; for it was he who 'discovered a narrowness of information concerning the dignitaries of the Church of England. He talked before Dr. Johnson of fat bishops and drowsy deans, and in short seemed to believe the illiberal and profane scoffings of professed satirists or vulgar railers'; and so brought upon himself the admirable rebuke: 'Sir, you know no more of our Church than a Hottentot.'

In the uncongenial atmosphere of home Boswell learnt, no doubt, to dislike instruction and to mistrust what he was told about the way to live, about manners in the old use of the word. There is, however, the trace of a pious mother's influence in the respect which Boswell always showed for religion and for principles. To know what he thought right or wrong was always of importance to him, however slight the relation to his practice of these moral decisions. It is possible indeed that he could never have been better than a tyro in the art of living: but the close-fettered days of this unfortunate childhood must be partly responsible for the fact.

When the term of his education at home was accomplished, Boswell very properly went to school at Edinburgh. We have reason to complain, if we may complain at all, that we can know nothing of Boswell's school life. It is idle to conjecture what it was like. We may only suppose that school was to him a place of comparative freedom, and that to his schoolfellows his presence there was a valuable source of merriment, and perhaps also an occasion of maliciousness.

George Mallory's Boswell the Biographer (1912) opens with an unusual confession: the author apologizes for writing a book that is 'less than a biography and more than an essay.' Rather than a complete life, Mallory aims to 'explain' Boswell's character by presenting evidence 'without stint.' The preface signals a methodical, almost legalistic approach—Mallory wants to prove his case, not merely state opinions. This forensic tone shapes the entire work, as the author scrutinizes Boswell's letters, political maneuvers, and social climbing with a biographer's eye for detail.

A Self-Conscious Apologist

Mallory's preface is a remarkable piece of self-deprecation. He calls the responsibility of 'upwards of 300 pages in print' a burden his 'unaccustomed conscience cannot easily bear.' He refuses to apologize for a dull book by explaining how it is interesting—a rhetorical move that paradoxically draws attention to his anxiety. The preface establishes Mallory as a careful scholar who anticipates criticism. He acknowledges debts to earlier biographers (Rogers, Fitzgerald, Leask) and to critics like Carlyle, Henley, and Lionel Johnson. This scholarly apparatus, combined with the apologetic tone, suggests Mallory is acutely aware of entering a crowded field. The reader is warned: this is not a conventional biography but a character study built on evidence.

The Patronage Web

Mallory devotes considerable space to Boswell's relentless pursuit of patrons. He lists a litany of names—Lord Somerville, Sir David Dalrymple, Lord Eglintoun, Lord Mount Stuart, Sir Andrew Mitchell, Lord Pembroke, Lord Lisburne, Lord Lonsdale, Burke, Dundas—and notes that Boswell 'pinned his faith' on each in turn. The result was meager: only the Recordership of Carlisle. Mallory quotes Boswell's own letters to illustrate his methods, including a cringe-worthy note to Chatham and a later attempt to ingratiate himself with Burke. The author's analysis is blunt: Boswell was a 'thorough-going place-hunter,' and his failures stemmed partly from his clumsy approach. Mallory uses Boswell's own words—'conspicuousness'—to highlight the man's self-awareness and naivety.

Political Ambitions and Literary Byproducts

Boswell's political schemes, Mallory shows, produced some of his most interesting writings. His 'Letters to the People of Scotland' (1783 and 1785) displayed 'ardent patriotism and zealous Tory principles.' He also issued an 'Address to the Real Freeholders of the County of Ayr' and carried addresses to the King and the Prince of Wales. Mallory traces these efforts with a mix of admiration and irony: Boswell's political career was a failure, but the pamphlets and letters survive as evidence of his character. The author notes that Boswell's hopes of representing his county were 'very small,' yet he persisted. This section reveals how Mallory uses documentary evidence—letters, addresses, electioneering details—to build a portrait of a man driven by ambition but thwarted by circumstance.

Mallory's study is best approached as a character analysis rather than a narrative biography. Readers familiar with Boswell's Life of Johnson will find here a darker, more frustrated figure—a man whose literary genius coexisted with social failure. The author's method is cumulative: each letter, each failed patronage, each political misstep adds to a coherent psychological portrait. Mallory does not claim to have the final word, but his evidence-based approach offers a compelling counterpoint to hagiography.

Holding this book, I recalled afternoons spent tracing my own grandfather’s letters, the way he shaped his story for each recipient. Mallory’s patient unravelling of Boswell’s curious self-awareness felt familiar. It reminded me of reading The Praise of a Godly Woman — Edition Insights, where another life was quietly honoured through careful attention to context, not just deeds. Both left me understanding the craft behind the memory, oddly tender.

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