Four Americans: Roosevelt, Hawthorne, Emerson, Whitman — A Closer Reading
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Roosevelt was so active a person--not to say so noisy and conspicuous; he so occupied the centre of every stage, that, when he died, it was as though a wind had fallen, a light had gone out, a military band had stopped playing. It was not so much the death of an individual as a general lowering in the vitality of the nation. America was less America, because he was no longer here. He should have lived twenty years more had he been willing to go slow, to loaf and invite his soul, to feed that mind of his in a wise passiveness. But there was no repose about him, and his pleasures were as strenuous as his toils. John Burroughs tells us that he did not care for fishing, the contemplative man's recreation. No contemplation for him, but action; no angling in a clear stream for a trout or grayling; but the glorious, dangerous excitement of killing big game--grizzlies, lions, African buffaloes, mountain sheep, rhinoceroses, elephants. He never spared himself: he wore himself out. But doubtless he would have chosen the crowded hour of glorious life--or strife, for life and strife were with him the same.
He was above all things a fighter, and the favorite objects of his denunciation were professional pacifists, nice little men who had let their muscles get soft, and nations that had lost their fighting edge. Aggressive war, he tells us in "The Winning of the West," is not always bad. "Americans need to keep in mind the fact that, as a nation, they have erred far more often in not being willing enough to fight than in being too willing." "Cowardice," he writes elsewhere, "in a race, as in an individual, is the unpardonable sin." Is this true? Cowardice is a weakness, perhaps a disgraceful weakness: a defect of character which makes a man contemptible, just as foolishness does. But it is not a sin at all, and surely not an unpardonable one. Cruelty, treachery, and ingratitude are much worse traits, and selfishness is as bad. I have known very good men who were cowards; men that I liked and trusted but who, from weakness of nerves or other physical causes--perhaps from prenatal influences--were easily frightened and always constitutionally timid. The Colonel was a very pugnacious man: he professed himself to be a lover of peace--and so did the Kaiser--but really he enjoyed the _gaudium certaminis_, as all bold spirits do.
In the world-wide sense of loss which followed his death, some rather exaggerated estimates made themselves heard. A preacher announced that there had been only two great Americans, one of whom was Theodore Roosevelt. An editor declared that the three greatest Americans were Washington, Lincoln, and Roosevelt. But not all great Americans have been in public life; and, of those who have, very few have been Presidents of the United States. What is greatness? Roosevelt himself rightly insists on character as the root of the matter. Still character alone does not make a man great. There are thousands of men in common life, of sound and forceful character, who never become great, who are not even potentially great. To make them such, great abilities are needed, as well as favoring circumstances. In his absolute manner--a manner caught perhaps partly from Macaulay, for whose qualities as a writer he had a high and, I think, well-justified regard--he pronounces Cromwell the greatest Englishman of the seventeenth century. Was he so? He was the greatest English soldier and magistrate of that century; but how about Bacon and Newton, about Shakespeare and Milton?
Let us think of a few other Americans who, in their various fields, might perhaps deserve to be entitled great. Shall we say Jonathan Edwards, Benjamin Franklin, Alexander Hamilton, John Marshall, Robert Fulton, S. F. B. Morse, Ralph Waldo Emerson, Daniel Webster, Horace Greeley, Henry Ward Beecher, Admiral Farragut, General W. T. Sherman, James Russell Lowell, Nathaniel Hawthorne, General Robert E. Lee? None of these people were Presidents of the United States. But to the man in the street there is something imposing about the office and title of a chief magistrate, be he emperor, king, or elected head of a republic. It sets him apart. Look at the crowds that swarm to get a glimpse of the President when he passes through, no matter whether it is George Washington or Franklin Pierce.
Henry A. Beers opens his study of four prominent Americans by focusing on their literary output rather than their public personas. In the first essay, he examines Theodore Roosevelt as a man of letters, noting that Roosevelt published twenty-six books amid a hectic political career. Beers highlights Roosevelt's descriptive power in works like African Game Trails and Hunting Trips of a Ranchman, where the prose becomes almost poetic when evoking wild landscapes. The essay contrasts Roosevelt's vigorous, personal style with the more detached observations of Hawthorne and Emerson, setting up a comparative framework that runs through the collection.
Roosevelt's Literary Voice
Beers argues that Roosevelt's writing is most effective when he describes nature and hunting. He quotes old hunting songs and notes that Roosevelt becomes a poet when among wild creatures. The essay emphasizes Roosevelt's vivid personality, which Beers claims is preserved in his books. Beers also observes that Roosevelt's active life—as Civil Service Commissioner, Police Commissioner, Governor, and President—did not prevent him from producing a substantial body of work. The tone is admiring but critical, noting that Roosevelt's style is direct and energetic, matching his public image.
Hawthorne's Puritan Inheritance
Beers traces Hawthorne's conservatism and fatalism to his Puritan roots. He notes that Hawthorne preferred seventeenth-century Puritan divinity to modern Unitarian sermons, finding the former 'warm with a deep belief.' Beers points out that Hawthorne's characters, like Hollingsworth in The Blithedale Romance, are often one-ideaed reformers whose plans are vague. Hawthorne's style, Beers claims, is 'the growth of reverie, solitude, leisure,' and avoids slang, dialect, or colloquial idioms. This careful refinement, Beers suggests, can feel artificial to modern readers accustomed to naturalism.
Emerson and the Concord Circle
Beers's essay on Emerson, titled 'A Pilgrim in Concord,' likely examines Emerson's role in the Transcendentalist movement. The excerpts do not provide full text, but the title suggests a focus on Emerson's connection to Concord and his philosophical influence. Beers may contrast Emerson's optimism with Hawthorne's fatalism, as hinted in the Hawthorne section where Beers mentions Emerson's sentence about John Brown. The essay probably explores Emerson's essayistic style and his impact on American thought.
Whitman's Free Verse Legacy
The final essay, 'A Wordlet about Whitman,' is brief but significant. Beers likely addresses Whitman's unconventional poetic form and his celebration of the self. The title 'Wordlet' suggests a concise treatment, perhaps acknowledging Whitman's expansive style while offering a compact analysis. Beers may compare Whitman's democratic voice to Roosevelt's energetic prose or Hawthorne's refined periods, highlighting the diversity of American literary expression.
Beers's essays, originally published in the Yale Review, offer a snapshot of early twentieth-century literary criticism. Readers interested in how a contemporary critic assessed these iconic figures will find value in Beers's observations on style and temperament. The collection is best approached as a series of character sketches rather than comprehensive biographies, with each essay focusing on the author's written voice and its connection to their life and times.
The rain was making that hush against the windows as I finished Beers’s chapter on Roosevelt, his voice all vivid and immediate. The thought lingered of a president who wrote from the body, not the desk. That afternoon, I found myself pulled toward the quieter polish of a different man’s state papers, A Compilation of the Messages and Papers of the Presidents. Volume 4, part 1: William Henry Harrison — Reading Notes, and the contrast felt almost accidental, like finding a sealed envelope in an old coat.
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